Friday, March 29 @ 8:00 pm - 10:00 pm$20
Globally acclaimed by critics and fans alike for his unique acoustic and electric fingerstyle guitar playing, Adrian Legg masterfully blends diverse musical styles, influences and inspirations to create a distinctive sound all his own. With multiple awards and accolades spanning four decades, Legg has been heralded as a “guitarist of astonishing virtuosity, (whose) imagination and melodic invention seem unbounded,” (Q magazine); “ridiculously talented,” (Music Week) and “simply the best acoustic guitar player I’ve ever heard.”(guitar icon Joe Satriani). Setting the stage for his international success in the decades to follow, Legg was named as Acoustic Guitarist of the Decade by the UK’s Guitarist Magazine(1984-94), and Best Acoustic Fingerstylist in Guitar Player Magazine’s Readers’ Poll for four years in a row. (1993-96).
But there’s even more to Adrian Legg’s draw as an engaging, one-of-a-kind performer. Described by Audio Magazine as a “kind of cross between Robert Fripp and Garrison Keillor,” Legg is more fully characterized as a “genuine entertainer who excels at not only painting pictures, if not frescoes, and telling stories with music— but also wittily regaling his audiences with tales from his life and travels and his cogent and often oblique yet thought-provoking observations on a spectrum of topics. It’s all part of his dedication to making his performances a full- blooded emotional experience.”
With his 1990 American recording debut of Guitars & Other Cathedrals, Legg found even greater success across the pond as a regularly touring solo act, headlining and sharing bills with fellow guitarists Richard Thompson, David Lindley, Eric Johnson, (whose 2005 album, Bloom, Legg plays on), and Joe Satriani, on both his own shows and as part of his G3 Tour package with Johnson and Steve Vai, whose Favored Nations record label released two of Legg’s albums.
Guitar Player named his records, Guitar for Mortals and Mrs. Crowe’s Blue Waltz as Best Acoustic Album (1992 & ’93) and Wine,Women & Waltz as Best Overall Guitar Album (1994) in its annual readers’ polls.
Through the decades, Legg has continued to delight audiences with his touring on both sides of the Atlantic. His most recently released latest double live CD, (Adrian Legg Live, October 2017) includes many of his enduring, best-loved hits with the entertaining stories behind these songs artfully woven in.
Over his career, Legg has released a dozen or more recordings of his original compositions, which are consistently described as “thrilling, engaging, emotionally compelling and evocative.” Legg encapsulates his own music by saying,“I’m a collision between European classicism and the American guitar.”
Loyal fans around the globe enthusiastically appreciate Legg’s witty, entertaining stories, often shared in between songs onstage and on his live albums. As noted by popular BBC radio personality Andy Kershaw, “Quite simply, there is no one else like him,” citing Legg’s “dazzling technique and equally large dollops of spirit, humor, passion, eclecticism and spontaneity.”
For Legg, the essence of his creativity is in live performance.“Playing live is the whole point,” he stresses.“Everyone makes a journey, an effort; we all come together — me, the audience,the people who run the venue — to share this wonderful, universal, human emotional interaction.This is where music lives; it has a huge social value which I think is very important.”
When it comes to musical technique, Legg plays fingerstyle guitar, mixing an alternating-bass style with harmonics, banjo-peg retuning and single or double string bending. Often, he plays a piece entirely in arpeggios (similar to a classical guitar style) and extensively uses altered tunings and capos to create his signature sound.
In addition to his well-honed gifts as a performer, Legg is an innovator in guitar design and amplification technology, an instructor, photographer, writer, author, and an at-large commentator for National Public Radio’s “All Things Considered” which still regularly uses many of his varied guitar interpretations of its theme music. So it’s no wonder that What’s Up magazine hails London-born Legg as “the greatest British import since Newcastle Brown Ale.”
Online tickets sales close at the night of the show. Any remaining tickets are for sale at Boulevard Music when doors open At unless noted otherwise. Tickets may also be purchased in person at Blvd Music or by phone (310) 398-2583 using a major credit card.
A $1 service charge per ticket is added to online and phone orders. All ticket sales are final. They are non-refundable and non-exchangeable. For online ticket purchases, you will need to provide the ticket barcode for entry. Please print your ticket or display the barcode on your phone.
Please note all shows start at 8pm and doors open at 7:30pm unless indicated otherwise. People who already have their tickets (purchased them in advance) get in first when doors open at 7:30 pm. After the people who already have their tickets are admitted any remaining tickets will go on sale.
Please note that taking photos or any other type of recording is not allowed during performances at Boulevard Music.